Here’s one I took earlier….
As I have mentioned before my Mamiya C330 is living on borrowed time due to a small gear wearing out in the winding mechanism; a gear that is no longer available for replacement.
I recently bought a replacement an here are a few shots from the first roll (#25). I used an expired roll of Ektachrome and used the +1 stop for each decade rule to compensate the exposure. Continue reading “Expired film in Mamiya C330”
As (sort of) mentioned here, my Mamiya developed a fault and has been away for repair. The bad news is that the part it needs is no longer available but the good news is they managed to get it working anyway; who knows for how long, it could be one roll or twenty so while I hunt down a replacement I will get as much out of it as I can.
As such here is a roll of very expired Kodak Ektar (EPP) 400 Continue reading “The Thirty Six: Film #17”
Another roll of Kodak Tri-X this time in my Voigtländer Superb. I took this on a photo walk with my local Beer and Cameras group here in LA and we walked around the fringes of the LA Art District. Continue reading “The Thirty Six: Film #10”
This is the second of my recent acquisitions which together make me feel I can stop looking as I have exactly the core camera set I want to use (well almost). I already posted about the Prominent this is another from Voigtländer (of course) and it is a Twin Lens Reflex.
This has everything you could ever want from a TLR in a well designed package.
- Good viewfinder? Yep
- Great lens? You got it
- Lever based winder? Indeed
- Spirit level? Of course
- Parallax correction? Oh yes
- Frame counter? Certainly
See what I mean?
This model was first released in 1933 and I think this actual example was a little later in the run so probably around 1936. Continue reading “Cameras: Voigtländer Superb”
It was my birthday last week and my fiancee asked me what would I like to do. I didn’t really have anything that I could really think of other than photography time. So, she agreed to accompany me on a photography walk downtown in LA and as she was looking for a few things we started in the ‘fashion district’.
My fiancee is someone who likes to have a plan and ideally an itinerary, by the very least a goal to aim for. By contrast I am happy to wander aimlessly just looking about and seeing what I see.
A Mamiya TLR from the ‘C’ series has been on my list of desires for a long time and I never really thought I would own one. These were the professional cameras used by wedding photographers all over the place throughout the 70s and 80s and have always been at a price point well beyond what I could justify. They’re not especially attractive cameras (though all TLRs have a classic look in my opinion) but they are solid work horses and can take a lot of use (or abuse).
This was the last camera I bought a little while ago and I am not buying any more until I have thinned down the ones I have no intention of using and begin focusing on a core set of cameras (unless my dream camera appears at a shockingly low price!).
Anyway, this is the Yashica-44 Continue reading “Cameras: Yashica-44”
I have mentioned this camera before but wanted to add more detail (and add better pictures). The Brillant was first sold in around 1932; early models used a simple zone style focussing method (as opposed to actual distance) with the operator selecting portrait, landscape etc.
This is a later version from around 1937 as it is made from bakelite rather than metal Continue reading “Cameras: Voigtlander Brillant”
This is a great example of a pseudo twin lens reflex (TLR) camera from the early fifties. Continue reading “Cameras: Herbert George Insta Flash”
This is one of my favourites and one of two (true) Twin Lens Reflex (TLR) cameras I have. It’s not the best TLR in the world by any means but I like the simplicity of it and it works very well. Continue reading “Cameras: Halina AI”
What my friends are saying…