Another roll of Kodak Tri-X this time in my Voigtländer Superb. I took this on a photo walk with my local Beer and Cameras group here in LA and we walked around the fringes of the LA Art District. Continue reading “The Thirty Six: Film #10”
After my recent experience with a light leak on a TLR and another leak on a compact 35mm, I realized that there was very little information online about how to go about diagnosing these kinds of issues and thus fixing them. Most of the tutorials online that mention “light leaks” seem just to talk about replacing the foam seals around the door; which is fine for a certain age of camera and if that is where the light is coming in.
With both of my issues this was unhelpful and so I thought perhaps I would share my thought process in tackling these leaks; apologies if this is a case of ‘teaching your grandmother to suck eggs’ and maybe a lot of this is obvious for some of you – please chime in if you have techniques I don’t mention.
So first off, if the foam seals are deteriorating then of course replacing them is a fairly simple and cheap exercise that is worth doing anyway and may well resolve the issue. In my case this was not required for either camera.
I decided to spend much of 2019 shooting the stock of 36 various films I have in stock and hope to shoot all of them before the end of the year.
The first film was already loaded in my Voigtländer Prominent (currently fitted with the Ultron 50mm 2.0 lens) and was the Fuji Pro 400 film.
I decided that as I was heading to the West of LA anyway for an evening get-together with Cameras and Beer, I would spend an hour or two at the Getty Center. They were running an exhibition of Sally Mann that I was keen to visit and also I love the architecture around the Getty.